Technique
The art of silverworking consists of intricate details and decorations made by hand. The fundamental techniques used in this art form include filigree (work made with fine silver wires), engraving, hammering, and relief. Each piece is shaped by the artist's skill and transforms into a unique work of art. Traditional motifs include geometric shapes, floral patterns, and animal figures.
Materials
The most important material in silverworking is pure silver. However, it is sometimes mixed with other metals to enhance its durability. The processed silver is adorned with different techniques to create jewelry such as necklaces, bracelets, earrings, and rings or decorative objects. Additionally, natural stones are often added to the silver to provide a more aesthetic and eye-catching appearance.
Areas of Use
Traditional silverworking is primarily used in jewelry making but also finds its place in home decor, kitchenware, and religious objects. Silver candlesticks, plates, and decorative items from the Ottoman period are currently of great interest in museums and antique shops.
Traditional and Modern Approaches
Traditional silverworking is being interpreted with innovative approaches by modern designers, resulting in jewelry and decorative objects that fit contemporary fashion. Traditional motifs and techniques have merged with modern designs to appeal to a broader audience.
Conclusion
Traditional silverworking holds significant cultural value as an elegant and aesthetic reflection of Turkish handicrafts. This art form preserves the cultural heritage passed down from the past to the present and adapts to the aesthetic understanding of the modern world. The continuation of silverworking is crucial for the preservation of cultural richness.
Silverworking in Kütahya and Sakin Yaman
Sakin Yaman, one of the first names that comes to mind when discussing silverworking in Kütahya, is a master instructor who successfully continues this longstanding art form. Born on March 1, 1972, in the Beypazarı district of Ankara, Yaman has continued his silverworking career, which began in 1985, as a master instructor in Kütahya today. Learning the craft under the guidance of his master, Hüseyin Erdil, Sakin Yaman has turned silverworking into a passion.
His Journey into Silverworking
Yaman's introduction to art was largely due to his father's encouragement. He developed his skills on this path, which he started at a young age, through education and inspiration from great masters. Especially specializing in traditional techniques such as filigree and inlay, Yaman is actively working to teach and spread these techniques. Each piece of jewelry he creates reflects the delicate and detailed craftsmanship of silver.
Cultural and Historical Context of Silverworking
Silverworking is an essential part of Kütahya's cultural heritage. Sakin Yaman aims to keep this cultural heritage alive in his works. This art form, which has survived from the Ottoman period to the present, presents works adorned with motifs that reflect Kütahya's aesthetic texture and rich history. Yaman frequently incorporates local motifs from Kütahya, inspired by the art of tile-making, into his pieces. Patterns such as tulips, carnations, and roses are fundamental elements of his art.
The Future of the Art
Sakin Yaman looks towards the future of silverworking with hope, placing great importance on educational efforts to pass this art onto younger generations. He emphasizes the need to organize educational activities, workshops, and courses to increase young people's interest in handicrafts. He also points out that online platforms and digital content can play a role in enhancing interest in this art in our increasingly digital world.
The Preservation and Continuation of Silverworking
Yaman provides information on maintenance and storage methods to ensure that silver jewelry can be preserved for a long time. Storing jewelry in an airtight environment is effective in preventing problems such as oxidation and tarnishing. He notes that these methods can help maintain both the aesthetic value and longevity of the works.
Conclusion